“Go on then. Worship me.”
For those that loved:
Freeway, Kill Bill (part one), Halloween
For those that are writing on:
Representation of adolescent femininity/sexuality, positions of spectatorship, revenge cinema, images of women in the cinema, masculinity in crisis, relationships of power (especially in relation to representations of masculine and feminine sexuality)
In a nutshell
Far more brutal than a Mean Girl, and anything but Clueless, sharp-witted and ever-resourceful Hayley Stark is a teenage force to be reckoned with. This is ‘girl power’ in it’s truest, and most dangerous form. An understandably difficult but rewarding film.
When charming 32-year old photographer Jeff Kohlver (Patrick Wilson) strikes up a flirtatious online ‘friendship’ with seemingly naive 14-year-old-student Hayley Stark (Ellen Paige), the suggestion of a face-to-face meetings seems wrought with danger for Hayley. However, after going back to Jeff’s secluded suburban home, Hayley reveals a strength, intelligence and taste for revenge that throws them both into a tense cat-and-mouse struggle for power. As Hayley forces Jeff to confront his past indiscretions, the viewer is left to ponder the truth behind not only both characters actions, but both characters themselves.
Why should I watch?
Despite the R 18 rating, Hard Candy is not an explicitly violent nor explicitly sexual film, especially when compared to the numerous ‘gore porn’ features (Hostel or Saw anyone) that have found success within recent years, or even the slasher-pics of yore. However, the sensitive subject matter – adolescent sexuality and paedophilia – at times make Hard Candy a difficult, albeit intriguing watch.
Slade masterfully maintains a tense and uneasy atmosphere throughout Hard Candy, and despite being hampered at times by an occasionally cheesy script, his artful direction and deft editing choices keep the film running at a cracking pace.
Playing out like a cinematic stage play, the relationship between Hayley and Jeff develops in a perhaps not entirely believable, but engrossing way, thanks to skillful performances from both leads. Wilson delivers a problematically charismatic performance, and when considered against the manipulative and almost monstrous Hayley, it is hard to know which side you are cheering for, if any at all.
Consider/Further study etc
- Initially Hayley can be seen to embody a fantasy image of adolescent femininity. How does Hayley subvert traditional characteristics of adolescent femininity? How dors she challenge the normative status of such characteristics?
- How are women and women’s bodies represented throughout Hard Candy?
- Is the act of looking represented as an empowering or disempowering act?
- Consider (particularly in relation to Laura Mulvey’s theories of cinematic spectatorship) the spectatorial structures within Hard Candy. Does the film support or challenge Mulvey’s association of the gaze with masculine power and the act of being looked at with feminine submission?
- Consider the roof scene, towards the end of the film. Here, Jeff’s ‘phallic’ weapon (his knife) is rendered useless. Are there any other instances within the film where a phallic symbol becomes disempowered?
- Vision and voyeurism play an important role within Hard Candy. How does Jeff view women – ie does he worship them? Fear them? Hate them? What might this suggest about the representation of ‘traditional masculinity’ within Hard Candy?